In the top right hand corner of the window there are options for viewing either a single image, side by side image (which you select your preferred view from the top of each of the 2 images), or 4 images. You can see from the traditional, layer mask view, that ReMask has done a pretty good job. ![]() ‘Compute Mask’ calculates the initial extraction and you can select various ways to view the results. Next I use the red ‘Fill’ option to select the areas to remove. Here I have traced around the model and her hair using the blue brush, containing the green within these boundaries. The default on opening the program is that everything is filled in green (keep). This is, however, most often not the case as ReMask does an exceptional job of problem solving. When I first started using ReMask I mistakenly thought that the more precise you were in prepping the image with these brushes, the better job ReMask would do. The blue areas are where the program works the hardest, deciding what the boundaries for what is kept and what is removed are. The basic brushes in are Green (keep), Red (cut) and Blue (compute). This is where you select what you want the program to compute. Since the work will be saved on a layer mask it is then easy to move the layer mask to your original (un-adjusted) layer. This accentuates the contrast between your image and the background, making life a little easier once you open ReMask. I usually prep images using a Levels Adjustment on a duplicated background layer. This is really useful if you want to further refine the mask in Photoshop. Making a layer mask allows for your extraction work to be saved on the mask. If you do not do this, your saved layer after remasking will only be the extracted layer. For this tutorial, I am using the Plug-In since I want to take the image into Photoshop afterwards.Ī really important thing to remember before you run the Plug-In, is to add a Layer Mask to the layer you are on before you open ReMask. The latest version of Topaz Labs ReMask (5) can be run either as a stand-alone program or as a Photoshop Plug-In. I chose this image (from Colourbox) as an example because it is problematic in 2 main ways: the colour at the edges of the dress are very similar to the background the hair is highly detailed and difficult to extract. Topaz ReMask makes light work of extracting images even images with high demands on extraction. Written tutorial by Caroline Julia Moore: Use Code SHIFTART to save 15% on Topaz ReMask! Use coupon code SHIFTART during checkout to save 15%! If you are looking for a quick mask or some masked objects for a composite, ReMask 2 is a great tool.Ĭreating Complex Masks with Topaz ReMask 3.Ready to try Topaz ReMask yourself? Save 15% on Topaz ReMask It is simple enough for even a novice Photoshop user to produce good results and it includes both a 32-bit & 64-bit version. By adding a “real” interface, ReMask 2 is finally a real plugin. Topaz ReMask 2 is a logical next step for this program. With the Mask complete, just click the OK button in the lower right corner to finalize the mask and return to Photoshop. With the Topaz Magic Brush checked, you can now use the Red Brush to remove areas or the Green Brush to restore areas. (A real button would have made more sense.)Īfter Computing the trimask areas, you can click on the Keep tab at the top of the plugin window to fine tune the mask. With both the Blue Border and the Red area defined, just select either High Quality or Draft in the Compute area. With the Blue Border identified, use the Red Bucket to determine which area is to be removed (inside the blue border or outside). Red to Delete, Green to Keep and Blue to Process ![]() This Blue area will be processed ReMask to identify colors to keep and colors to remove.Ģ. You can vary the size of the brush just like in Photoshop (slider or keys). With Topaz ReMask 2 running, just start with the Blue Brush and outline the object to be masked. You must duplicate the Layer for use (and safety). ReMask 2 will not function on the Background Layer. ReMask still uses a “trimask” to identify the masked areas, but the new interface streamlines its creation. Now, just 3-months later, Topaz ReMask 2 has been released with a real plugin interface. When is a Photoshop plugin not a plugin? When it is really a set of Actions.
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